Z treści: Malinowski J.: Jewish art in Central-Eastern Europe: the nineteenth century to the Second World War. Introduction s. 9-13; Rudnicki Szymon: Jews in Poland between the Two World Wars s. 15-23; Geller Ewa: Yiddishland - Jewish identity in East Central Europe s. 25-32; Piechotka Maria, Piechotka Kazimierz: Architecture of synagogues in the lands of the former Polish-Lithuanian Commonwealth, 15th - early 19th century s. 33-52; Bergman Eleonora: Synagogues of Europe - still much to learn s. 53-62; Silber Marcos: The function of Kazimierz as "lieu de mémoire" in Yiddish film in interwar Poland s. 63-74; Yaniv Bracha: Tyhe wall decoration in the Isaac Synagogue in Kazimierz District, Krakow: the first overall layer s. 75-82; Brzewska Iwona: The motif of Jerusalem in Jewish tapestry and ritual objects in Polish collections s. 91-98; Lebet-Minakowska Anna: The "Spanier Arbeit" technique s. 105-110; Reinhard-Chlanda Małgorzata: Role of stained glass windows in the architecture of progressive synagogues on the example of the "Temple" Synagogue in Krakow s. 111-119; Schmid Daniela M.: Besamim & Hasidim. The Sabbath soul and myrtle in Jewish mysticism and a selection of Eastern European spice boxes s. 121-129; Kravtsov Sergey R.: Józef Awin on Jewish art and architecture s. 131-144; Gruber Samuel D.: Polish influence on American synagogue architecture s. 145-154; Czekanowska Monika: Portraits of "biblical" women in Maurycy Gottlieb's and Wilhelm Wachtel's painting. A semiotic and iconographic approach to the pictures of Judith and Salome s. 183-195; Sztyma-Knasiecka T.: Jewish idiom in the art of Henryk Glicenstein s. 197-208; Kamczycki Artur: Herzl's portrait by Leopold Pilichowski. Meanings of the picture s. 209-222; Styrna Natasza: The influence of the Zionist's ideology on the Jewish artistic milieu in Krakow, 1904-1939 s. 223-229; MacDougall Sarah: From Warsaw to Whitechapel: an exploration of cultural and artistic identity in the early work of Alfred Aaron Wolmark (ca 1876-1961) s. 231-239; Tanikowski Artur: Heralds of moderate modernity: Polish-Jewish artists in Catalonia s. 241-251; Dickson Rachel: Jacob Kramer (1892-1962): British Modernism and the Central Eastern Jewish émigré experience, 1913-1923 s. 265-273; Zemel Carol: Bruno Schulz's "Booke of Idolatry": making Jewish art in Diaspora s. 275-281; Jedlińska Eleonora: Jankel Adler - Hasidism and New Jewish Art s. 283-290; Dukhan Igor: El Lissitzky and the search for New Jewish Art (Vitebsk - Moscow - Berlin) s. 291-298; Levin Gail: Reflections on Lee Krasner and Jewish culture of Eastern Europe s. 299-304; Kotlyar Eugeny: Bezalel versus the Kultur-Lige: approaches to Jewish revival s. 305-312; Stolarska-Fronia Małgorzata: Jewish Expressionism - a quest for cultural space s. 313-317; Holz Keith: Max Silberberg's commitment to modern art and Jewish culture in interwar Breslau s. 319-324; Piątkowska R.: Not just writers... Artists at Tlomackie 13 s. 325-336; Gradinskaitė Vilma: Attitudes of interwar Lithuanian art critics towards Jewish art s. 337-343; Livnat Aviv: Arieh Merzer and Warsaw's interwar metaloplastics art scene s. 345-351; Szczerski Andrzej: Beyond modernity. Benedykt Jerzy Dorys' photos of Polish-Jewish Kazimierz in the 1930s s. 353-361; Balakirsky Katz Maya: "Rebbishe" representation: pre-war Polish photography of Hasidic leaders s. 363-370; Tarnowska Magdalena: Art in the Warsaw Ghetto s. 371-384; Markowska Anna: Reconstructing community: Jonas Stern's art after the Holocaust s. 385-395; Juszkiewicz Piotr: Space and memory. Oskar Hansen's project of the Auschwitz Monument s. 397-405; Amishai-Maisels Ziva: Disappearance of the identity of a Holocaust victim in art. To the memory of Józef Szajna (1922-2008) s. 407-417