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Treść: Polit P., Suchan J.: Foreword s. 9-13; Milner John: Władysław Strzemiński: Questions of identity and location s. 17-32; Mansbach Steven A.: Władysław Strzemiński's textual radicalism s. 35-50; Degot Ekaterina: Painting in history s. 53-66; Levinger Esther: "With the ruins of destroyed eye sockets": photography and history s. 78-92; Turowski Andrzej: The nocturnes of Władysław Strzemiński s. 94-106; Nader Luiza: Guilt and shame. Władysław Strzemiński's "To my friends, the Jews" s. 108-126; Chevrier Jean-François: Painting, body image, history s. 129-142; Finch Mick: Some possible constellations s. 145-162; Kiepuszewski Łukasz: Image drift s. 165-184; Newman Michael: Difference, rhythm, and the gaze in painting s. 187-200; Taylor Brandon: Strzemiński's "biographical" line s. 203-217
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Summary, etc.
Treść: Polit P., Suchan J.: Foreword s. 9-13; Milner John: Władysław Strzemiński: Questions of identity and location s. 17-32; Mansbach Steven A.: Władysław Strzemiński's textual radicalism s. 35-50; Degot Ekaterina: Painting in history s. 53-66; Levinger Esther: "With the ruins of destroyed eye sockets": photography and history s. 78-92; Turowski Andrzej: The nocturnes of Władysław Strzemiński s. 94-106; Nader Luiza: Guilt and shame. Władysław Strzemiński's "To my friends, the Jews" s. 108-126; Chevrier Jean-François: Painting, body image, history s. 129-142; Finch Mick: Some possible constellations s. 145-162; Kiepuszewski Łukasz: Image drift s. 165-184; Newman Michael: Difference, rhythm, and the gaze in painting s. 187-200; Taylor Brandon: Strzemiński's "biographical" line s. 203-217
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