Treść: Adamczyk-Garbowska Monika, Prokop-Janiec Eugenia: Introduction s. 1-14: Part 1. Rediscovering Polish Jewish literature: Panas Władysław: The writing and the wound: on Polish-Jewish literature s. 17-29; Sikorski Dariusz Konrad: Ethical concepts in the Inter-War dispute on Jewish culture in the press s. 31-44; Antosik-Piela Maria: `Mr Nossig's latest transformation'; or, Alfred Nossig as a writer s. 45-59; Wojnowska Bożena: Janusz Korczak's "Midrash": "Dzieci Biblii": "Mojżesz" s. 61-72; Kołodziejska Zuzanna: Czesława Rosenblattowa's works as an example of women's integrations literature s. 73-84; Piekarski Ireneusz: The long path to becoming a writer: Julian Stryjkowski as translator and reviewer s. 85-103; Part 2. Polish-Yiddish-Hebrew literary contacts: Dynes Ofer: Polish whiskers and the Jewish tongue: on Y. L. Peretz "Not becoming a Polish writer" s. 107-119; Kuligowska-Korzeniewska Anna: Sholem Asch's Polski-language theatrical debut s. 121-138; Ronen Shoshana: Yehoshua Ozjasz Thon on the revival of Hebrew literature: from revolutionism to a moderate conservatism s. 139-152; Szymaniak Karolina: Speaking back: on some aspects of the reception of Polish literature in Yiddish literary criticism s. 153-172; Cohen Nathan: Reading Polish among young Jewish People s. 173-186; Zawanowska Marzena: Hayim Nahman Bialik and Shlomo Dykman: Polish-Jewish literary encounters in the Inter-War period s. 187-208; Prokop-Janiec E.: Reading Opatoshu in the years 1918-1939: the Polish perspective s. 209-221; Part 3. Mutual perceptions: Ribak Gil: Between Germany and Russia: images of Poles and the ensuing cultural trajectories among Yiddish and Hebrew writers between 1863 and the First World War s. 225-248; Kotlerman Ber: Romanticization and criticism in Agnon's "Poland stories": Polish Jewry as an archetype of a Jewish community in the exile s. 249-260; Burda-Fischer Dorota: A Hasid among the goyim: Jewish themes in Stanisław Vincenz's "Na wysokiej połoninie" s. 261-280; Part 4. At the crossroads of avant-garde art and modern ideologies: Livnat Aviv: "Sefirot", wanderings, and superstructures: futurism in the Polish Yiddish arena s. 283-305; Udel Miriam: When narration is the only salvation: Yisroel Rabon's modernist picaresque s. 307-321; Underhill Karen: `What have you done with the book?': the exegetical `encounter' in Bruno Schulz's graphic works s. 323-349; Nalewajko-Kulikov Joanna: Yiddish form, communist content: Jewish communist writers in Warsaw in the 1930s s. 351-370; Szabłowska-Zaremba Monika: "The Neva ever new": depictions of the Soviet Union in the work of Stanisław Wygodzki s. 371-387; Part 5. In search of identity: Matywiecki Piotr: Julian Tuwim's Jewish theatre s. 391-407; Szwarcman-Czarnota Bella: Jewish Jews on Tuwim s. 409-417; Quercioli Mincer Laura: The descendant of Rashi in the Lubyanka: the metaphysical identity transformations of Aleksander Wat in "Mój wiek" s. 419-439; Molisak Alina: `Judaizm jako los': on the essay by Bogdan Wojdowski s. 441-456; Part 6. Different exiles: Kellman Ellen: "Goles varshe" (Exile in Warsaw): the kultur-lige in Poland, 1921-1924 s. 459-479; Żurek Sławomir Jacek: From Tyszowce to Tel Aviv: the journalism of Arnold Słucki in Israel's Polish press s. 481-500; Famulska-Ciesielska Karolina: Authors writing in Polish in Israel s. 501-517; Sneh Perla: Polin down south: among mysteries and silences. On Polish Jewish literary legacies in Argentina s. 519-538; Shrayer Maxim D.: Pavel Antokolsky as a witness to the Shoah in Ukraine and Poland s. 539-556