SOWA OPAC : BIBLIOGRAFIA HISTORII POLSKIEJ

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History of art history in Central, Eastern and South-Eastern Europe. Vol. 1 / Ed. by Jerzy Malinowski; Society of Modern Art in Toruń & Department of History of Modern Art. Faculty of Fine Art. Nicolaus Copernicus Univ. in Toruń. - Toruń : Society of Modern Art; Tako Publishing House, 2012. - 299, nlb. 1, il ; 4˚.

Autor

Malinowski Jerzy Redakcja StefaniĘin Taras Autor Selivatčov Mihailo Autor Ursu Natalìâ Autor Svirida Inessa Autor Levandauskas Vytautas Autor Ekielska-Mardal Anna Autor Czerzniewska Jolanta Autor Kasperowicz Ryszard Autor Muthesius Stefan Autor Kunińska Magdalena Autor Deluga Waldemar Autor Frejlich Andrzej Autor Rudenko Oleh Autor Berezina Inna Autor Ohienko Ivan Autor Ogle Kristine Autor Tylicki Jacek Autor Bernhardt Katja Autor Hryszko Barbara Autor Stefański Krzysztof Autor Biedrońska-Słota Beata Autor Passini Michela Autor Piotrowski Kazimierz Autor Gryglewicz Tomasz Autor Grabski Józef Autor Chmielewska Agnieszka Autor Filipova Marta Autor Kluczewska-Wójcik Agnieszka Autor Geron Małgorzata Autor Juszkiewicz Piotr Autor Fowkes Maja Autor Fowkes Reuben Autor

Forma i typ

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Temat

Wallis Mieczysław Porębski Mieczysław Krakowski Piotr Habsburgowie Saunders Joseph Potocki Stanisław Kostka Piwarski Jan Feliks Klaczko Julian Berenson Bernard Sokołowski Marian Europa; Środkowa Europa; Wschodnia Europa; Południowo-Wschodnia Kraków Rosja Austria Wilno Włochy Bizancjum Litwa Lwów, Ukraina Ukraina Kamieniec Podolski, Ukraina Łotwa Gdańsk

Materiały z jubileuszowej międzynar. konferencji, Toruń, 14-16 IX 2010 r

Z treści: Malinowski J.: The art history at the ancient Vilna/Wilno/Vilnius University and its tradition s. 11-15; Svirida Inessa: Joseph Saunders [1773-1854]: the making of the biography (historiography and sources) s. 17-30; Levandauskas Vytautas: The history of architecture in academic works by professors of Vilna University in the first half of the 19th century s. 31-37; Ekielska-Mardal Anna: "Dilettanti" and the scientific workshop of the first Polish art historian. Italian art in the eyes of Stanisław Kostka Potocki during his journey between 1795 and 1797 s. 39-45; Gregorowicz-Metz (Rucinska) Anna: Stanisław Kostka Potocki - the first Polish art historian and his ideas about art in "O sztuce u dzisiejszych" (On the art of the Moderns) s. 47-53; Czerzniewska Jolanta: Jan Feliks Piwarski's "News on the Print Room joined with the National Public Library" in "Gazeta Literacka" - academic lecture or a method of studying art? s. 55-63; Kasperowicz Ryszard: [Julian] Klaczko and [Bernard] Berenson - the politics of revivals s. 85-90; Muthesius Stefan: The beginnings of the "Cracow School of Art History" s. 91-99; Kunińska Magdalena: In-cluded - ex-cluded. Marian Sokołowski's building of the Monument of Art History at the end of the 19th century s. 101-109; Deluga Waldemar: Discovery and conservation of the Byzantine frescos in Poland and Lithuania in the 19th and 20th century s. 127-134; Frejlich Andrzej: The Polish-Ruthenian Archaeological Exhibition in Lwow/Lviv (1885) and beginnings of Polish researches on Byzantine art s. 135-140; Rudenko Oleh: The beauty of Greek Catholic church art in the Polish researchers' works of the second part of 19th century s. 141-149; Ursu Nataliya: Art history investigations of sacral heritage of the Dominican order of the 13th-19th centuries on Ukrainian land s. 163-167; Berezina Inna, Ohienko Ivan: Sacral architecture of Kamyanets-Podilsky/Kamieniec Podolski - the town of multicultural heritage - in the investigations of art history of the 19th-20th centuries s. 169-172; Ogle Kristine: Research traditions of the Jesuit artistic heritage in Latvia and their sources s. 173-182; Kravtsov Sergey R.: Studies of Jewish architecture in Central-Eastern Europe in historical perspective s. 183-189; Tylicki Jacek: The history of art studies in Gdańsk s. 205-216; Bernhardt Katja: The historiography of art history in the second row. PhD-theses at the Department of Architecture, Danzig/Gdansk University of Technology (1904-1945) s. 217-225; Hryszko Barbara: A review of Polish research into Rococo with special emphasis on architecture s. 227-232; Stefański Krzysztof: National concepts in the research on history of Polish architecture in the 19th century and at the beginning of the 20th century s. 239-246; Biedrońska-Słota Beata: The history of Polish studies on Islamic art and the history of the artistic relations between Poland and the Islamic countries s. 273-280

Toż. Vol. 2 ss. 285, nlb. 1, il

Z treści: Passini Michela: France and the evolution of art history in the Central and Eastern Europe. Three cases of cultural transfer s. 21-26; Piotrowski Kazimierz: The metacritic of Mieczysław Wallis [1895-1975] s. 35-40; Stefanyshyn Taras: Ukrainian art studies of Lwow/Lviv in the 1920s-1930s: personalities, works, tendencies s. 41-48; Gryglewicz Tomasz: Studies on modern art in the Institute of Art History of the Jagiellonian University in Cracow in the 1970s - Mieczysław Porębski, Piotr Krakowski s. 81-87; Grabski Józef: The 30th anniversary of the IRSA Institute for Art Historical Research s. 89-93; Chmielewska Agnieszka: National art and the theory of nationalism s. 97-103; Filipova Marta: The peasant in art history. Discourses on folk art in the late Habsburg Empire s. 121-125; Kluczewska-Wójcik Agnieszka: "What art Poland needs". In search of the Polish national style at the beginning of the 20th century s. 149-154; Geron Małgorzata: The Formist Group (1917-1923). Trends in research and the assessment of Polish avant-garde art in the 20th century s. 155-164; Selivatchov Mykhailo: Folk art and ornament as a subject of study in Ukraine (19th-20th century): Russian and Austrian Empires, Polish State, Soviet Period s. 165-172; Juszkiewicz Piotr: Socialist realism and modernity in Polish art history and criticism of the 1950s and 1960s s. 225-229; Fowkes Maja, Fowkes Reuben: The post-national in East European art: from socialist internationalism to transnational communities s. 231-237

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Art of the Armenian diaspora / Ed. by Waldemar Deluga; Pol. Inst. of World Art Studies. - Warsaw-Toruń : Pol. Inst. of World Art Studies; Tako Publishing House, 2020. - 119, nlb. 4, il ; 4˚.

(World Art Studies. Conferences and studies of the Polish Institute of World Art Studies; vol. 20)

Autor

Deluga Waldemar Redakcja Symeon z Zamościa zob. Simeon Lehac'i Autor Donebedian Patrick Redakcja

Forma i typ

Książki

Temat

Simeon Lehac'i Hadziewicz Rafał Gaszczyk Leopold Litwa Turcja; Imperium Osmańskie Warszawa Syria Armenia Górski Karabach

Z treści: Deluga Waldemar: Introduction s. 7-8; Košt'álová Petra: The Cultural Heritage of the Armenian traveler Simeon Lehatsi [ok. 1584-po 1639] from Poland to the Ottoman Empire. A contribution to the History of the Polish-Lithuanian Commonwealth s. 39-52; Tarnowska Magdalena: Rafał Hadziewicz (1803-1886) and his paintings in Warsaw Churches s. 81-89; Macios Dominika Maria: Leopold Gaszczyk - unknown photographer of Armenian Diaspora in Syria (1923-1947) s. 99-109; Macios Dominika Maria: Armenian Cultural Heritage in Nagorno-Karabakh - Aspects of the Current Situation. With an Appendix by Patrick Donabedian s. 111-119

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Art in Jewish society / Ed. by Jerzy Malinowski, Renata Piątkowska, Małgorzata Stolarska-Fronia, Tamara Sztyma. - Warsaw-Toruń : Pol. Inst. of World Art Studies; Tako Publishing House, 2016. - 315, nlb. 14, il ; 4˚.

(World Art Studies. Conferences and studies of the Polish Institute of World Art Studies; vol. 15)

Autor

Malinowski Jerzy Redakcja Piątkowska Renata Redakcja Stolarska-Fronia Małgorzata Redakcja Sztyma Tamara Redakcja

Forma i typ

Książki

Temat

Arciszewska Tea Hirszenberg Samuel Lejzerowicz Izrael Margolin, rodzina Spektor, rodzina Bomberg David Berenstein Theresa Kacyzne Alter Kipnis Menachem Stifelman Henryk Meidner Ludwig Schulz, Bruno (1892-1942) Vogel Debora Chirico Giorgio de Chagall Marc Lilien Ephraim Moses Pinkus-Szwarc Eugenia (Gina) Szwarc Marek Ameisenowa Zofia Grotte Alfred Schneid Otto Warszawa Jerozolima Europa; Wschodnia Łódź Kraków Ameryka Wołyń Drohobycz, Ukraina Brunszwik, Niemcy Moskwa Wilno Rosja Londyn

Z treści: Malinowski J.: Introduction s. 9-11; Piątkowska R.: A shared space. Jewish students at the Warsaw Academy of Fine Arts (1923-1939) s. 15-23; Livnat Aviv: "Far Undzere Kinstler" (Four Our Artists). Tea Arciszewska and the Jewish artist s. 25-35; Matyjasek Joanna: Functions of traditional Jewish paper-cutting in the past and their modern-day changes s. 37-40; Powalska Izabella: Samuel Hirszenberg and the Zionism s. 41-48; Kamczycki Artur: From Metsh to Macho. Zionism, Gender and the Man s. 49-58; Kotlyar Eugeny: "If I forget Thee, Jerusalem". Eastern European synagogue decorations in the Zionist paradigm s. 59-71; Sztyma T.: Unrealised projects. Plans for Jewish monuments before 1939 s. 73-82; Glicher Wiliam: The artist and the patron: Izrael Lejzerowicz [1902-1944] and the Margolin/Spektor family in pre-war Lodz s. 85-93; Buchowska Dominika: Jewish themes in David Bomberg's early works s. 95-100; Levin Gail: Theresa Berenstein (1890-2002): A Krakow-born Jewish artist in America s. 109-115; Śmiechowska Teresa: Master and apprentice. The photographic work of Alter Kacyzne and Menachem Kipnis - influences, similarities, differences, and a life cut short s. 117-124; Obuchowska-Zielińska Irina: Henryk Stifelman, the Warsaw architect in the context of his time s. 125-131; Stolarska-Fronia M.: Ludwig Meidner - a hyperbaroque expressionist s. 135-143; Czekanowska-Gutman Monika: Dialogue with Christian art: The Pietà in early 20th-century Jewish art s. 145-159; Kossowska Irena: In search for cultural identity: Bruno Schulz, Debora Vogel and Giorgio de Chirico s. 161-170; Amishai-Maisels Ziva: Chagall's Jewish identity s. 171-178; Kravtsov Sergey R.: Synagogue architecture of Volhynia: a search for identities s. 179-187; Finkelstein Haim: E[phraim] M[oses] Lilien: Between Drohobych and Brunswick s. 189-196; Jedlińska Eleonora: The art of life and the art: Eugenia (Gina) Pinkus-Szwarc and Marek Szwarc s. 205-216; Susak Vita: "Laocoon: or the Limits" of pogroms representation in visual arts (first third of the 20th century) s. 219-230; Balakirsky Katz Maya: Cartooning citizen collaboration: A 1949 Jewish war film in Moscow s. 245-251; Kunińska Magdalena: In search of the Jewish identity: Zofia Ameisenowa and research into Jewish iconography and its place in Polish art history discourse s. 255-262; Gradinskaitė Vilma: History of art collection in Vilnius Jewish Museums: from the time of the Russian Empire to the present s. 263-270; Lebet-Minakowska Anna: Minister dream or `cold' calculation? History of the Judaica Department of the National Museum in Krakow in the years 1935-1939 s. 279-286; Handrock Ariane: Representing and constructing Jewish art: Alfred Grotte as an architect and author s. 287-295; Walfish Barry Dov: Otto Schneid and his Archive: A new digital resource for the study of modern Jewish art s. 297-304; Buchowska Dominika: Jewish Art in London. Review of the exhibition: "Out of Chaos, Ben Uri: 100 Years in London" (2 July-3 December 2015), Somerset House, London s. 307-311; Weinreich Regina: Degenerate Art: Exile to Extinction s. 313-315