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4 results Filter
No cover
Book
In basket
(Conferences and Studies of the Polish Institute of World Art Studies; vol. 13)
Z treści: Gut Anna: The condemnation of memory in the modern epitaphs of Central Pomerania s. 25-34; Filipczak Joanna: Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 s. 35-46; Bernatowicz Piotr: Removal of Communist monuments: obliteration of the past or healing the memory? s. 47-56; Kłos Agnieszka: The disappearing memory of Birkenau. A story of the power of nature s. 59-72; Jedlińska Eleonora: A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź s. 73-80; Markowska A.: Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust s. 81-88; Smolińska Marta: Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland s. 115-124; Jarosz Andrzej: The absent ones - placing the post-war Wrocław painting in the context of Polish art s. 143-155; Soczyńska Agata: Marek Oberländer - a painter undesired by the time s. 157-163; Eysymontt Rafał: The town as a palimpsest. Erasing and recovering the medieval town s. 191-204; Zarzycki Jakub: Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? s. 213-219; Krzyżanowska Małgorzata Ksenia: "Nothing is getting as old as modernity" - i.e. why the trend for Nine Graphic Artists Group [Kraków, 1947-1960] has passed s. 225-233; Sikora-Sabat Anna: Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People's Republic of Poland s. 247-250
No cover
Book
In basket
(World Art Studies. Conferences and studies of the Polish Institute of World Art Studies; vol. 20)
Z treści: Deluga Waldemar: Introduction s. 7-8; Košt'álová Petra: The Cultural Heritage of the Armenian traveler Simeon Lehatsi [ok. 1584-po 1639] from Poland to the Ottoman Empire. A contribution to the History of the Polish-Lithuanian Commonwealth s. 39-52; Tarnowska Magdalena: Rafał Hadziewicz (1803-1886) and his paintings in Warsaw Churches s. 81-89; Macios Dominika Maria: Leopold Gaszczyk - unknown photographer of Armenian Diaspora in Syria (1923-1947) s. 99-109; Macios Dominika Maria: Armenian Cultural Heritage in Nagorno-Karabakh - Aspects of the Current Situation. With an Appendix by Patrick Donabedian s. 111-119
No cover
Book
In basket
(World Art Studies; vol. 17)
Materiały z konferencji naukowej, Kraków, 20-22 X 2015 r
Z treści: Rutkowska Iga: Research on the reception of the theatre of East Asia in Poland: from the example of Zbigniew Osiński's work s. 15-21; Łakomska Bogna: Performances for the underground spirits. Terracotta figurines from ancient Chinese tombs s. 31-38; Rynarzewska Ewa: From village comedian to celebrity: metamorphosis of the Korean actor in the years of Japanese occupation (1910-1945) s. 55-66; Wesołowska Marta: The role of women in the musical life of early and medieval Japan. From "naiky[o z poziomą kreską nad literą]b[o z poziomą kreską nad literą]" performers to "shiraby[o z poziomą kreską nad literą]shi" dancers s. 79-86; Steiner Marta: The corporeal mode of acting on the "xiqu" stage s. 87-93; Lis Marianna: Wacinwa. History of the Chinese minority in Indonesia and its Chinese-Javanese shadow puppet theatre s. 123-133; Kubiak Ho-Chi Beata: Tragedy and the tragic in the Japanese puppet theatre. Imported or native categories? s. 135-140; Gawarski Maurycy: Chinese opera theatrical poster in Beijing in the first half of the twentieth century s. 147-160; Kaulbach Barbara: Chinese theatre at the crossroads - Ouyang Yuqian [1889-1962] and the West s. 163-168; Deja Katarzyna: Józef Jankowski's play "Kesa" as an example of transculturality in Polish modernism s. 273-278; Chudzikowska Monika: "A Chinese Play given in the Chinese Manner. The Yellow Jacket" by Joseph Henry Benrimo and George Cochrane Hazelton on the Polish stage s. 279-290; Wodarska-Ogidel Katarzyna: "Recipe for a fairy tale": a Japanese performance made by Polish P.O.W.'s in 1941 s. 291-298; Rodowicz-Czechowska Jadwiga: Tadeusz Kantor in the theatrical life of Japan, 1979-2015. Introductory remarks s. 313-322; Gawarski Maurycy: Polish research on Chinese theatre since the beginning of the twentieth century to the present day s. 323-331; Gawarski Maurycy: List of Polish publications on Chinese theatre since the beginning of the twentieth century s. 333-342
No cover
Book
In basket
(World Art Studies. Conferences and studies of the Polish Institute of World Art Studies; vol. 15)
Z treści: Malinowski J.: Introduction s. 9-11; Piątkowska R.: A shared space. Jewish students at the Warsaw Academy of Fine Arts (1923-1939) s. 15-23; Livnat Aviv: "Far Undzere Kinstler" (Four Our Artists). Tea Arciszewska and the Jewish artist s. 25-35; Matyjasek Joanna: Functions of traditional Jewish paper-cutting in the past and their modern-day changes s. 37-40; Powalska Izabella: Samuel Hirszenberg and the Zionism s. 41-48; Kamczycki Artur: From Metsh to Macho. Zionism, Gender and the Man s. 49-58; Kotlyar Eugeny: "If I forget Thee, Jerusalem". Eastern European synagogue decorations in the Zionist paradigm s. 59-71; Sztyma T.: Unrealised projects. Plans for Jewish monuments before 1939 s. 73-82; Glicher Wiliam: The artist and the patron: Izrael Lejzerowicz [1902-1944] and the Margolin/Spektor family in pre-war Lodz s. 85-93; Buchowska Dominika: Jewish themes in David Bomberg's early works s. 95-100; Levin Gail: Theresa Berenstein (1890-2002): A Krakow-born Jewish artist in America s. 109-115; Śmiechowska Teresa: Master and apprentice. The photographic work of Alter Kacyzne and Menachem Kipnis - influences, similarities, differences, and a life cut short s. 117-124; Obuchowska-Zielińska Irina: Henryk Stifelman, the Warsaw architect in the context of his time s. 125-131; Stolarska-Fronia M.: Ludwig Meidner - a hyperbaroque expressionist s. 135-143; Czekanowska-Gutman Monika: Dialogue with Christian art: The Pietà in early 20th-century Jewish art s. 145-159; Kossowska Irena: In search for cultural identity: Bruno Schulz, Debora Vogel and Giorgio de Chirico s. 161-170; Amishai-Maisels Ziva: Chagall's Jewish identity s. 171-178; Kravtsov Sergey R.: Synagogue architecture of Volhynia: a search for identities s. 179-187; Finkelstein Haim: E[phraim] M[oses] Lilien: Between Drohobych and Brunswick s. 189-196; Jedlińska Eleonora: The art of life and the art: Eugenia (Gina) Pinkus-Szwarc and Marek Szwarc s. 205-216; Susak Vita: "Laocoon: or the Limits" of pogroms representation in visual arts (first third of the 20th century) s. 219-230; Balakirsky Katz Maya: Cartooning citizen collaboration: A 1949 Jewish war film in Moscow s. 245-251; Kunińska Magdalena: In search of the Jewish identity: Zofia Ameisenowa and research into Jewish iconography and its place in Polish art history discourse s. 255-262; Gradinskaitė Vilma: History of art collection in Vilnius Jewish Museums: from the time of the Russian Empire to the present s. 263-270; Lebet-Minakowska Anna: Minister dream or `cold' calculation? History of the Judaica Department of the National Museum in Krakow in the years 1935-1939 s. 279-286; Handrock Ariane: Representing and constructing Jewish art: Alfred Grotte as an architect and author s. 287-295; Walfish Barry Dov: Otto Schneid and his Archive: A new digital resource for the study of modern Jewish art s. 297-304; Buchowska Dominika: Jewish Art in London. Review of the exhibition: "Out of Chaos, Ben Uri: 100 Years in London" (2 July-3 December 2015), Somerset House, London s. 307-311; Weinreich Regina: Degenerate Art: Exile to Extinction s. 313-315
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